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Bone composition with Cantonese ball "Moon – Homeland light" 40 spheres
Art. : 429-35
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12 449 000 ₽
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Engraving on the nameplate 1500 ₽
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About this product
Art. : 429-35

The work is based on Du Fu's poem "I remember my Brother on a Moonlit night," where the line "The moon is brighter at home" has remained a symbol of homesickness for centuries. In the composition, the poet is depicted far from his native places: he admires the moonlight and notices two children playing in the moonlight. This image evokes memories of a separated brother and conveys a deep sense of nostalgia and kinship — that inner experience from which an immortal poetic line is born.

The central element is a 40-layer Cantonese "ghost ball", symbolizing the full moon. Its layers rotate freely inside each other, creating a depth effect and enhancing the sense of presence in the night space. The lunar image becomes not only the compositional center, but also the philosophical dominant of the work.

In general, the work organically combines the shape of a multi-layered sphere with landscape motifs, featuring a concise, thoughtful composition. The work is made using the traditional techniques of the Guangzhou school of bone carving, which emphasizes the continuity of cultural tradition and a high level of craftsmanship.

The Cantonese bone ball, also known as the "ghost ball", is one of the most characteristic types of Guangzhou carvings, formed back in the Ming Dynasty. Its uniqueness lies in the fact that a single fragment of bone is hollowed out into a multi-layered sphere with intertwining openwork shells. Each layer is finely worked out with its own through-the-wall ornament and can freely rotate inside the subsequent one, creating the impression of lightness and almost weightless transparency.

The Cantonese ball is considered the pinnacle of local school craftsmanship and an important part of China's national intangible cultural heritage. Modern works often use a single mammoth tusk, which makes it possible to create complex multi-layered structures with filigree precision. The most important indicator of the master's level is the number of inner spheres: the more layers are enclosed in one ball, the higher the technical complexity and the more virtuoso the work is considered. Creating a large number of freely rotating shells requires exceptional calculation accuracy, error-free tool ownership and many years of experience.

The process of hollowing out a single multilayer sphere is extremely laborious and involves a high risk of material damage at any stage. It is this technical complexity combined with artistic ingenuity that gives the "ghost ball" its unique charm and makes each piece a testament to outstanding craftsmanship.

The work is based on Du Fu's poem "I remember my Brother on a Moonlit night," where the line "The moon is brighter at home" has remained a symbol of homesickness for centuries. In the composition, the poet is depicted far from his native places: he admires the moonlight and notices two children playing in the moonlight. This image evokes memories of a separated brother and conveys a deep sense of nostalgia and kinship — that inner experience from which an immortal poetic line is born.

The central element is a 40-layer Cantonese "ghost ball", symbolizing the full moon. Its layers rotate freely inside each other, creating a depth effect and enhancing the sense of presence in the night space. The lunar image becomes not only the compositional center, but also the philosophical dominant of the work.

In general, the work organically combines the shape of a multi-layered sphere with landscape motifs, featuring a concise, thoughtful composition. The work is made using the traditional techniques of the Guangzhou school of bone carving, which emphasizes the continuity of cultural tradition and a high level of craftsmanship.

The Cantonese bone ball, also known as the "ghost ball", is one of the most characteristic types of Guangzhou carvings, formed back in the Ming Dynasty. Its uniqueness lies in the fact that a single fragment of bone is hollowed out into a multi-layered sphere with intertwining openwork shells. Each layer is finely worked out with its own through-the-wall ornament and can freely rotate inside the subsequent one, creating the impression of lightness and almost weightless transparency.

The Cantonese ball is considered the pinnacle of local school craftsmanship and an important part of China's national intangible cultural heritage. Modern works often use a single mammoth tusk, which makes it possible to create complex multi-layered structures with filigree precision. The most important indicator of the master's level is the number of inner spheres: the more layers are enclosed in one ball, the higher the technical complexity and the more virtuoso the work is considered. Creating a large number of freely rotating shells requires exceptional calculation accuracy, error-free tool ownership and many years of experience.

The process of hollowing out a single multilayer sphere is extremely laborious and involves a high risk of material damage at any stage. It is this technical complexity combined with artistic ingenuity that gives the "ghost ball" its unique charm and makes each piece a testament to outstanding craftsmanship.

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Characteristics
Country of manufacture: China
Material: bone, The ebony tree
Number of spheres: 40
Technique of execution: кантонская резьба по кости
Sizes: 21.2 × 19 × 52 cm .
You will receive a passport with this product.

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Moscow
Pickup from the gallery free
In the next day (12 July) 300 ₽
On the day of the order (11 July) 400 ₽
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Evening delivery (11 July) Check with the manager
Beyond the Moscow Ring Road
up to 6 km from MKAD (11 July) 600 ₽
from 6 to 10 from MKAD (11 July) 900 ₽
Over 10 km from MKAD (11 July) Check with the manager
To other cities
VIP, by courier (today)(11 July, today) from 3 000 ₽ (check with the manager)
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Courier delivery is carried out when ordering for a total amount of 5000 ₽

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