Handwritten notes autographed by virtuoso violinist Niccolo Paganini
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Art. : 258-737
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Art. : 258-737

The handwritten notes of Niccolo Paganini were acquired by the Russian theatrical figure, memoirist and director of the Imperial Theaters (1901-1917) Vladimir Arkadyevich Telyakovsky from the collection of Heinrich Iosifovich Venyavsky.

Nicolo Paganini is an Italian violinist and composer. He acquired his initial skills of playing the mandolin and violin under the guidance of his father, a small merchant and music lover. I took lessons from several teachers, but I studied on my own.

Paganini's virtuosity was fantastic, and its effect on the audience was incredible and inexplicable. To his contemporaries, he seemed a mystery, a phenomenon. Some considered him a genius, others a charlatan; his name began to acquire various fantastic legends during his lifetime. However, this was greatly facilitated by the originality of his "demonic" appearance and romantic episodes of biography associated with the names of many noble women.

The brightest representative of romanticism in Paganini's music was at the same time a deeply national artist. His work largely comes from the artistic traditions of Italian folk and professional musical art.

Heinrich Wieniawski (1835-1880) was one of the most outstanding virtuoso musicians of his time. He was born in Lublin on July 10, 1835 in the family of a doctor. In the autumn of 1843, in Paris, Henry was shown to one of the best professors, Joseph Lambert Massard, who, as a test, offered a very young musician to learn the most difficult Kreutzer concerto by ear without a violin in two weeks. Shocked by the result, the professor began to seek Henry's admission to the conservatory, so he was enrolled on November 8, 1843.

Wieniawski firmly took the first place on the violin Olympus. There were legends that he got his magic art from Paganini. They were generated by the similarity in the manner of performance of Paganini's works by their author and Wieniawski. Most of all, the huge virtuoso scope and spectacular technique were striking.

The handwritten notes of Niccolo Paganini were acquired by the Russian theatrical figure, memoirist and director of the Imperial Theaters (1901-1917) Vladimir Arkadyevich Telyakovsky from the collection of Heinrich Iosifovich Venyavsky.

Nicolo Paganini is an Italian violinist and composer. He acquired his initial skills of playing the mandolin and violin under the guidance of his father, a small merchant and music lover. I took lessons from several teachers, but I studied on my own.

Paganini's virtuosity was fantastic, and its effect on the audience was incredible and inexplicable. To his contemporaries, he seemed a mystery, a phenomenon. Some considered him a genius, others a charlatan; his name began to acquire various fantastic legends during his lifetime. However, this was greatly facilitated by the originality of his "demonic" appearance and romantic episodes of biography associated with the names of many noble women.

The brightest representative of romanticism in Paganini's music was at the same time a deeply national artist. His work largely comes from the artistic traditions of Italian folk and professional musical art.

Heinrich Wieniawski (1835-1880) was one of the most outstanding virtuoso musicians of his time. He was born in Lublin on July 10, 1835 in the family of a doctor. In the autumn of 1843, in Paris, Henry was shown to one of the best professors, Joseph Lambert Massard, who, as a test, offered a very young musician to learn the most difficult Kreutzer concerto by ear without a violin in two weeks. Shocked by the result, the professor began to seek Henry's admission to the conservatory, so he was enrolled on November 8, 1843.

Wieniawski firmly took the first place on the violin Olympus. There were legends that he got his magic art from Paganini. They were generated by the similarity in the manner of performance of Paganini's works by their author and Wieniawski. Most of all, the huge virtuoso scope and spectacular technique were striking.

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